![]() From August to early-September 2017, The Edgar Winter Band toured as the opening act for both Deep Purple and Alice Cooper as they performed several North American tour dates as part of The Long Goodbye Tour. The band's 2010–11 tour featured the reunion of Winter and Rick Derringer. Winter also played with Ringo Starr in the ninth (2006), tenth (2008), eleventh (2010-2011) and fifteenth (2022-) iterations of his All-Starr Band. In addition, the DVD includes a 30-minute documentary, Edgar Winter: The Man and His Music. It features the songs, "Keep Playing That Rock and Roll", " Turn on Your Love Light", " Free Ride", "Texas", "Show Your Love", "New Orleans", " Frankenstein" and " Tobacco Road". Winter's 2003 CD and DVD titled Live at the Galaxy was recorded live at the Galaxy Theatre for Classic Pictures. Winter performed the song solo at the piano on Jimmy Kimmel Live! Blues performer Jonny Lang also covered "Dying to Live" around this time. "Runnin '" peaked at number 5 on the Hot R&B/Hip Hop Singles Sales chart and the soundtrack was #1 for 8 consecutive weeks. Tupac: Resurrection, a biography of rapper Tupac Shakur, produced and co-written by Eminem, sampled Winter's song "Dying to Live" as " Runnin' (Dying to Live)," incorporting vocals by the Notorious B.I.G., Tupac, and Winter himself. Winter's music has been used in many film and television projects, including Netherworld, Air America, Dazed and Confused, My Cousin Vinny, Encino Man, Son in Law, What's Love Got to Do with It, Wayne's World 2, Starkid, Wag the Dog, Knockabout Guys, Duets, Radio, The Simpsons, Queer as Folk, and Tupac: Resurrection. ![]() He appeared in the film Netherworld and the TV shows The Cape, Mysterious Ways, Late Show with David Letterman, and Jimmy Kimmel Live!. Winter also starred with George Hamilton in a commercial for Miller Lite beer. Winter has also made frequent television appearances, both to promote his music and to give his opinions, on shows such as Politically Incorrect. Major national television and radio campaigns have used Winter's music to advertise their products. Winter also kept busy doing session work, playing saxophone on Meat Loaf's "All Revved Up with No Place to Go", Dan Hartman's solo hit " Instant Replay", Tina Turner's " Simply the Best" and David Lee Roth's remake of " Just a Gigolo", as well as appearing on material by Rick Derringer, Johnny Winter, Ronnie Montrose, Todd Rundgren, Michael McDonald and many others. Later albums included Jasmine Nightdreams, The Edgar Winter Group with Rick Derringer, Together: Edgar Winter and Johnny Winter Live, Recycled, a reunion with White Trash, Standing on Rock, Mission Earth, Live in Japan, Not a Kid Anymore, The Real Deal, Winter Blues and Rebel Road. That album contained Winter's third and final Top 40 single "River's Risin '", again sung by Hartman. Īfter They Only Come Out at Night, Winter released Shock Treatment, featuring guitarist Rick Derringer in place of Ronnie Montrose. Winter invented the keyboard body strap early in his career, an innovation that allows him the freedom to move around on stage during his multi-instrument high-energy performances. It was certified gold in April 1973 by the RIAA, and double platinum in November 1986. Released in November 1972, They Only Come Out at Night, peaked at the number 3 position on the Billboard Hot 200 and stayed on the charts for 80 weeks. In late 1972, Winter brought together Dan Hartman, Ronnie Montrose and Chuck Ruff to form The Edgar Winter Group, who created such hits as the number one " Frankenstein" and " Free Ride" (with lead vocals by its writer Hartman). It reached #111 on the charts, and 1972's follow-up album (partially recorded at New York's Apollo Theater) Roadwork achieved gold status. White Trash, with Winter and Jerry Lacroix both on lead vocals and sax, released the studio album Edgar Winter's White Trash, in 1971. Edgar followed Entrance with two hit albums backed by his group White Trash, a group originally composed of musicians from Texas and Louisiana. ![]() His early recording of " Tobacco Road" propelled him into the national spotlight. His critically acclaimed 1970 debut release, Entrance, was first to demonstrate his unique style of genre-blending musicianship. ![]() Winter composed and performed songs of numerous genres, including rock, jazz, blues, and pop. The Edgar Winter Group, Oct.1, 1975- L to R: Chuck Ruff, Rick Derringer, Dan Hartman, Edgar Winter. ![]()
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![]() ![]() Cognition, motor skills and interaction with the environment depend on the conscious mind, which is governed by the reality principle instead of pleasure, in the same way as the preconscious. In each of these places, which must be understood symbolically, we would find different psychological contents and processes.Ĭonscious is understood as a system with an intermediary role between the deepest regions of the psyche and the outside world. And the unconscious, which refers to the most illogical part linked to the drives, which are the forces that would move the individual towards a goal. The conscious refers to the relationship between the outside world and the memory system (memory) The preconscious is the structure that contains information that does not reach consciousness, but which is easy to access. It describes the structures that make up the mind, according to Freud: the unconscious, the preconscious and the conscious. This personality theory is also known as "First Topical", one of the most recognized models in the psychoanalytic trend. Despite the criticism his theory has received due to lack of scientific evidence, his ideas continue to be taught and studied in the career of Psychology as part of its History. It was originally described in one of his key works: "The Interpretation of Dreams", published in 1900. THE TOPOGRAPHIC MODEL: THE ICEBERG THEORYįreud developed the Topographic Model during the early stage of his career. In this post we are going to focus on the Topographic Model, also known as “Iceberg Theory” and finally will be complemented with a quick look at the Structural Model. Throughout his career he developed various models to explain human personality, which crystallized into 5: Topographic, Dynamic, Economic, Genetic, and Structural.Īlthough there are certain contradictions between these personality models, in general they are conceived as complementary theories or as updates and developments of various fundamental concepts (drives or defense mechanisms). Sigmund Freud (1856-1939), was an Austrian neurologist and is the founder of psychoanalysis. The insights offered on this post are intended to understand the psychological perspective in the 1899 narrative and is complementary to what is provided in this other post about Carl Jung. Perhaps this information has been mentioned in other posts but I think it is important to expose it out of the context of the show for what is to come. This post is not intended to explain the show, only to provide the bases that permeate the narrative of 1899. \"From error to error, one discovers the entire truth\" - Sigmund Freud ![]() ![]() ![]() So verschwinden täglich viele Graffiti unbemerkt und und-okumentiert vom Donaukanal. Ganz besonders wird dies an den Wänden des Wiener Donaukanal deutlich, wo die Kreation eines neuen Graffito meist die irreversible Zerstörung eines darun-terliegenden Graffitos bedeutet. Graffiti sind Teil des öffentlichen Raums und damit Teil unseres öffentlichen Lebens, unserer Gesellschaft. Manche sehen in Graffiti schützenswertes kulturelles Erbe, andere Vandalis-mus. Kurzlebig und doch allgegenwärtig, bewundert und gehasst, legal und illegal: Graffiti sind polarisierend. An experiment showed that 95 out of 100 tested graffiti photo sets were successfully orthorectified, highlighting the proposed methodology’s potential to improve and automate one part of contemporary graffiti’s digital preservation. Not only do these georeferenced photos support proper analysis, but they also set the basis for placing the graffiti in their native, albeit virtual, 3D environment. AUTOGRAF was developed in the framework of INDIGO, a graffiti-centred research project. Here, we present AUTOGRAF, an automated and freely-available orthorectification tool which converts conventional graffiti photos into high-resolution, distortion-free, and georeferenced graffiti orthophotomaps, a metric yet visual product. ![]() In other words, single photographs lack the spatio-temporal context, which is often of major importance in cultural heritage studies. In addition, a single graffito photograph often does not reflect the meaning and setting intended by the graffitist, as the creation is frequently shown as an isolated entity without its surrounding environment. Conventional photographs suffer from multiple image distortions and usually lack a uniform scale, which hinders the derivation of dimensions and proportions. One main technical challenge relates to the photographs themselves. However, proper photo-based digital documentation of such an entire scene comes with logistical and technical challenges, certainly if the documentation is considered the basis for further analysis of the heritage assets. This also holds true when documenting an entire graffiti-scape consisting of 1000s of individual creations. ![]() To document the geometric and spectral properties of a graffito, digital photographs seem to be appropriate. However, if one is among the steadily increasing number of heritage professionals and academics that value these short-lived creations, their digital documentation can be considered a part of our legacy to future generations. The text ends with some envisioned strategies to streamline image acquisition and process the anticipated hundreds of thousands of images.Īdmired and despised, created and destroyed, legal and illegal: Contemporary graffiti are polarising, and not everybody agrees to label them as cultural heritage. Given the project's aim to create a spatially, spectrally, and temporally accurate record of all possible mark-makings attached in (il)legal ways to the public urban surfaces of the Donaukanal, it seems appropriate to provide insights on the photographic plus image-based modelling activities that form the foundation of INDIGO's graffiti recording strategy. The second part of the text concentrates on INDIGO's graffiti documentation activities. The first part of this paper details INDIGO's goals and overarching methodological framework, simultaneously placing it into the broader landscape of graffiti research. The graffiti-focused heritage science project INDIGO aims to build the basis to systematically document, monitor, and analyse circa 13 km of Donaukanal graffiti in the next decade. Danube Canal), a recreational hotspot – located in the city's heart – famous for its endless display of graffiti. ![]() These conflicting traits are all present along Vienna's Donaukanal (Eng. Graffiti makes people laugh, wonder, angry, think. Graffiti is a short-lived form of heritage balancing between tangible and intangible, offensive and pleasant. ![]() |